Ancient aliens in spanish

Ancient aliens in spanish DEFAULT

&#;Ancient Aliens&#; Needs to Stop Erasing Non-White Cultural Excellence

You might think that History Channel&#;s Ancient Aliens is nothing more than a kooky guilty pleasure. After all, what&#;s the harm in letting a couple of camera-ready quacks share their completely unproven theories about aliens visiting ancient civilizations and gifting mankind with their superior knowledge? The problem is that the basic concept of Ancient Aliens is, well, rather racist. The implicit suggestion that ancient cultures, often non-white ones, would be incapable of advanced art, science, or architecture is problematic, to say the least. It&#;s a blindspot perpetuating the insidious idea that non-white, non-modern, and even non-Christian peoples were intrinsically dumb, when we have ample evidence to the contrary.

Yes, Ancient Aliens is not a guilty pleasure as much as its a troubling reminder of the disrespect we show non-white cultures.

Ancient Aliens started off as a one-off special on the History Channel back in The series looked at ancient texts and archaeological wonders to suggest that the Earth was in fact visited by extraterrestrials in prehistoric times. These aliens, represented in faith and mythology as everything from angels to gods, supposedly gifted ancient peoples with their wisdom, which accounted for everything from the spectacular Pyramids of Giza to fabulous Incan stone structures. While future episodes wove in wild theories about the Bermuda Triangle, the fall of Atlantis, and medieval mariners observing unexplained lights in the sky (because comets are only a modern thing, I guess), the heart of Ancient Aliens is this sheer disbelief that ancient cultures could be smart.

Ancient Aliens is a show riddled with modern biases. The most obvious one is the bias that technology has always moved in an upward slope towards enlightenment. However, historians will tell you this is inherently false. From the vacuum of order after the fall of the Roman Empire to the burning of the Library of Alexandria to tales of the Seven Wonders of the Ancient World, even Euro-centric scholars have proof that societies rose and fell in cycles throughout world history. Look across the Mediterranean and you&#;ll find that the entire continent of Africa has given birth to hundreds of complex cultures, from the golden kingdom of Mali (which helped bankroll Renaissance-era projects for Europeans) to the Ivory palaces of Axum. And I haven&#;t even broached the topic of Chinese history, South American empires, or ancient Mesopotamian wonders. The truth is world history has been full of magnificent cultures, even if they didn&#;t look much like ours.

Ancient Aliens trying to argue that Chichen Itza is proof of alien intervention. SIGH.

However if you watch Ancient Aliens, all of these complex civilizations are proof of the interference of some higher beings. Since many of these societies in question are non-white, there is an implicit suggestion that non-white cultures could not possibly have developed their own technological or artistic knowledge on their own. It is a bias that reeks of racism, if not a severe lack of imagination.

Historians and archaeologists actually have a long-rooted habit of refusing to believe that non-white civilizations could have been sophisticated in their own right. The PBS docu-series Africa&#;s Great Civilizations broaches this head on. In Episode 3, host Dr. Henry Louis Gates, Jr. introduces the magnificent city of Ife. When white archaeologists uncovered some of the spectacular sculptures Ife was known for, they decided that the exquisite masks or busts had to be connected to the mythic city of Atlantis. Atlantis, like &#;ancient aliens,&#; is often the lazy codeword some scholars turn to when they don&#;t want to wrap their heads around a non-white, non-Christian culture accomplishing greatness. Future scholars have thankfully proven that this gorgeous art came from a medieval African culture and not a metaphoric mind exercise invented by Plato.

Of course, when we talk about Ancient Aliens, we also have to ask whom is this show for? Clearly not academics, but amateur fans of history. Looking at the History Channel&#;s current schedule, certain patterns emerge pointing at a specific target demographic. Between Pawn Stars, Forged in Fire, American Pickers, Alone, the omnipresent World War II specials, and a series pointedly titled The Men Who Built America, History is — dare I simply say it? — a channel for middle-aged white men. Even more specifically, a type of man who romanticizes a rough and tough image of white America. Given that, Ancient Aliens snaps into focus as a show with a perhaps more malign intent.

Ancient Aliens wants to erase non-white, non-American, non-modern, and non-Christian accomplishments from the record completely.

Where to stream Ancient Aliens



Ancient aliens Season 10, Volume 1

Publication Information:

Santa Monica, California : Lionsgate, []

Physical Description:

2 videodiscs ( min.) : sound, color ; 4 3/4 in.

Target Audience:

TV rating: TV-PG.

Language Note:

In English with optional Spanish subtitles.


General Note:

Dolby digital , anamorphic wide screen


The alien hunters -- Forged by the Gods -- The mystery of Rudloe Manor -- The alien architects -- The pharaoh's curse -- The science wars -- City of the Gods -- The alien frequency.


Investigates possibilities of extraterrestrial contact at the dawn of human civilization.

Uncover more astonishing new evidence of extraterrestrial intervention on Earth than ever before, including an aluminum object that resembles the foot of a lunar lander. But the object inexplicably dates to over 40, years ago. In India, a thousand-year-old mask is discovered that looks identical to the face of a grey alien. Newly uncovered records from Russia indicate that in , an ancient rocket was discovered in Kiev.

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Ancient Aliens

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Ancient Aliens

American extraterrestrial visitation television series

This article is about a television program. For hypotheses about extraterrestrial visitations during ancient times, see Ancient astronauts. For the song by Lemon Demon, see Ancient Aliens (song).

Ancient Aliens is an American television series that explores the ancient astronauts hypothesis, past human-extraterrestrial contact, UFOs, government conspiracies, and related pseudoscientific topics, such as remote viewing and psychic phenomena, in a non-critical, documentary format.[1][2] Episodes, narrated by Robert Clotworthy, begin and end with rhetorical questions. Produced by Prometheus Entertainment, the series has aired on History and other A&E Networks since The series has been a target for criticism of History's channel drift, and for promoting unorthodox or unproven hypotheses as fact.[3]

The series is based on and inspired by the works of Erich von Däniken and Zecharia Sitchin, among other writers. The works of Graham Hancock, Robert Bauval, Brinsley Le Poer Trench, Charles Hapgood, and Edgar Cayce, are also referenced in many episodes. Producer Giorgio Tsoukalos and writer David Childress are featured guests.

The series began as a two-hour documentary special in , and continued for three seasons as a flagship series on History.[4] Seasons 4 to 7 aired on H2, with frequent re-airings of episodes on History and other A&E services. In , the series returned to History after H2 was relaunched as Vice on TV. Season 15 premiered in [5] Due to COVID disrupting production, the season ended after only 12 episodes, however only 10 episodes aired. The series continued with its sixteenth season in November [1][6] A seventeenth season is scheduled to being airing in August

The series was parodied in the South Park episode "A History Channel Thanksgiving". Action Bronson has reacted to the series in two seasons of Vice's Action Bronson Watches Ancient Aliens. William Shatner, who narrated the documentary Mysteries of the Gods, appeared in the Season 16 episode "William Shatner Meets Ancient Aliens&#;". He later told Inverse that he was "was dubious about the whole thing", adding, "something's going on".[7] The series has been criticized by Smithsonian Magazine, among others, for overwhelming the viewer with "fictions and distortions" by using a Gish gallop.[8]Brian Dunning debunked the series as "a slap in the face to the ingenuity of the human race".[9]


The executive producer of Ancient Aliens is Kevin Burns, who also directed and wrote the pilot episode. Giorgio Tsoukalos serves as consulting producer, and is a permanent guest, appearing in every episode.[10]UFO researcher C. Scott Littleton served as a producing consultant during the series development until his death in [11]

The series was launched as a two-hour documentary special for the History Channel. Originally broadcast March 8, , the special was re-run several times and is now packaged with the series as its pilot episode. Ancient Aliens: The Series aired on History from to , then moved to H2 where it was promoted as one of the network's flagship series until Frequent re-airings of episodes continued on the main channel, with highlights and selected episodes airing on A&E and Lifetime. A package of thirteen episodes were made available for syndication in the United States and Canada during the –12 television season.[citation needed] The packaged several episodes focusing on the phenomenon. In some foreign markets, the series still carries the Ancient Aliens: The Series title card.

On April 10, , the series returned to History after H2 was relaunched as Vice on TV. In response to complaints from disgruntled fans, Vice on TV created Action Bronson Watches Ancient Aliens.[12] History renewed Ancient Aliens for a fifteenth, and rumored final season, which premiered on January 24, [5] Due to COVID disrupting production, the season ended after the twelve completed episodes were broadcast. Production was soon restarted, and a sixteenth season began on November 13, [1][6]

Premise and cosmology[edit]

The premise of the series is based upon and inspired by the pseudoscientificancient astronauts hypothesis previously popularized in Chariots of the Gods? by Erich von Däniken, and The 12th Planet, by Zecharia Sitchin, which purports that extraterrestrial beings visited Earth in antiquity or prehistoric times and introduced civilization, architecture, and high technology to primitive humans. Many, if not all, of ancient man's achievements in language, mathematics, science, technology and stone construction, such as Egyptian pyramids, Pumapunku, and Stonehenge, are attributed to the influence of extraterrestrials. Remnants of said visitations are claimed to be found in religious texts, ancient myths and legendary histories, and the spiritual systems of many of the world's religions, including Hinduism, Ancient Egyptian religion, Gnostic Christianity, and Mormonism. The hypothesis also holds that ancient visitations left etymological remnants in many of the world's languages, such as the root words for "Dagon", "dragon", "dog", and "Danann", or the frequent occurrence of the word anu meaning "friend" or "visitor." Many of the interviewed guests, who are introduced as "ancient alien theorists" or "researchers," support these claims, either in their own work or via statements made on camera, thereby creating a shared cosmology. Claims that anatomically modern humans are the result of genetic modification and or are somehow biologically descended from the ancient aliens, a hypothesis also popularized by von Däniken and Sitchin, are the focus of many episodes.[citation needed]

Claims related to UFO conspiracy theories, alien abductions, the Roswell and Rendlesham Forest incidents, in panspermia, and human space exploration feature prominently in many episodes and are explored within the context of the ancient-astronauts cosmology.[citation needed]

Presentation style[edit]

The series presents all claims made by guests in an uncritical format. The narration frames responses to claims as a rhetorical question, which is answered as: "ancient alien theorists say yes," or a variation thereof. Chariots of the Gods? used similar framing device. After a particular claim is explored in some detail, the narration cuts away with: "Perhaps more evidence can be found…" Another location, archeological find, or event, with a hypothetical connection to the previous claim, is introduced. Smithsonian Magazine described this presentation style as a Gish gallop.[8] Terms such as "ancient astronauts", "ancient aliens", "alien visitors", "extra-terrestrial beings", "ancient gods", and "otherworldly beings", are used interchangeably by guests and the narration. Guests frequently conflate the meaning of "theory" and "hypothesis".

There is little use of precise calendrical dates in many episodes. Guests use terms such as "the remote past", "prehistoric times", or they refer to "… our ancient ancestors" in the abstract when discussing hypothetical historical events. There is a frequent demarcation of history in numerous episodes as before or after "The Ice Age", which guests imply to mean before and after the Younger Dryas period—or, 12, years ago.

Writer David Childress, who appears in every episode, frequently concludes his comments with the phrase "—probably extraterrestrials." Both Childress and Giorgio Tsoukalos repeatedly assert ancient peoples lacked the vocabulary to describe "technological" or "high-tech" devices, such as rockets or missiles, advanced weapons, aircraft, powered land vehicles, and medical instruments, they supposedly witness. And thus referred to extra-terrestrial visitors using such technology as gods.

Frequent guests[edit]

Erich von Däniken is the featured guest in the pilot episode, in addition to being the focus of two biographical episodes: "The Von Däniken Legacy", in Season 5, and "The Alien Phenomena", in Season

In the first season, credentialed scientists and professionals, such as Sara Seager and Michael Denning, respond to claims made by other guests, but their rebuttals were not rigorous. In subsequent episodes, scientists and professionals offer explanations of scientific phenomena or historical events without endorsing claims made by other guests, or they offer personal commentary. Psychologist Jonathan Young appears in episodes, providing explanations of myths and legends, and legendary history. Boston University associate professor Robert M. Schoch presents his Sphinx water erosion hypothesis, as well as his hypothesis concerning the age and purpose of Göbekli Tepe, in several episodes.

Radio talk show host George Noory appears in over 80 episodes, including the pilot episode. Reverend Barry Downing, known for describing angels in the Bible as ancient astronauts, appears in the pilot episode, and his comments are repeated in several other episodes. Writers Robert Bauval and Graham Hancock appear in many episodes. They both express skepticism of the ancient aliens premise, and expand on their own theories of ancient civilizations; Hancock repeats the statement from his work that "There is a forgotten episode in human history." In the episode "The Alien Phenomena", Bauval states "I don't see why not", with regard to von Däniken's claims originally made in Chariots of the Gods? potentially being true.

Segments and highlights from all first season episodes, including the pilot, were edited into later episodes up to Season 12, so that guests who appeared in Season 1 ostensibly appear in later seasons, although footage of their interviews was re-used.



This section needs expansion. You can help by adding to it. (May )

Little empirical evidence is offered in many episodes to support the presented claims, instead many segments focus on out-of-place artifacts, such as: the London Hammer, Antikythera mechanism, or the Aiud object; or segments focus on alleged inconsistencies in the accepted historical record. Guests discuss evidence which supports their claims in general or abstract terms. Some guests have alleged professionals and government have suppressed evidence of ancient mysteries, such as the episode "The Prototypes" in which guests alleged the Smithsonian Institution suppressed findings of "giant humanoids" found alongside American Indian remains in the Kanawha Valley.

From Season 12 onward, episodes have included segments in which evidence that potentially supports the ancient astronauts hypothesis is subjected to testing by credentialed scientists and medical professionals on-camera. In the episode "The Science Wars" an elongated skull was subject to an MRI examination, and DNA was extracted and tested. In the episode "The Star Gods of Sirius" blue, porous, nitrogen-rich stones, were examined by geologists. However, none of the results produced—from the skull, the stones, or other objects examined in later episodes—proved conclusive.

Other claims[edit]

Guests have presented other unproven historical and pseudoscientific hypotheses related to, or dependent upon an understanding of: Atlantis and other lost civilizations, as described in works by Brinsley Le Poer Trench and Edgar Cayce, or ley lines as originally described by Alfred Watkins; cataclysmic pole shifts as promoted by Charles Hapgood; various forms of Christian and Hindu creationism, or pseudohistory promoted by various religious movements; mythical elements of the Kabbalah, Zohar, and Book of Enoch; and various new religious movements. These hypotheses and claims are discussed within the scope of ancient astronauts cosmology.

Other concepts explored include faith healing, remote viewing, and various psychic phenomena. Numerous guests discuss various forms of catastrophism, and refer to other featured guests or historical figures as catastrophists. In various episodes, guests have claimed prominent historical figures were either influenced by or were possibly "extra-terrestrial" or "otherworldly beings."

Guests have also discussed unrelated pseudoscientific claims, such as: dinosaurs coexisting with humans until a recent extinction event, crystal healing and crystal skulls, as well as Freemasonry, rosicrucianism, and the New World Order. Linda Moulton Howe appears in several episodes which explore alien abduction, animal mutilation, and conspiracies involving military installations on Antarctica. The Citizen Hearing on Disclosure features prominently in numerous episodes.

Prior to December , several episodes explored facets of the Mayan doomsday prophecy. The episodes "The Maya Conspiracy" and "The Doomsday Prophecies", which aired in February , explored the Maya calendar and its relation to the construction of Palenque, the god Kukulkan, in addition to links between the Maya civilization and the ancient astronaut hypothesis. Episodes focusing on Mesoamerica broadcast after make no mention of the phenomenon. In the episode "The God Particle", guests linked the Mayan long count to the discovery of the Higgs boson.[13]


Series overview[edit]

Pilot ()[edit]

Season 1 ()[edit]

Season 2 ()[edit]

Season 3 ()[edit]

Season 4 ()[edit]

Season 5 (–13)[edit]

Season 6 ()[edit]

Season 7 ()[edit]

Season 8 ()[edit]

Season 9 (–15)[edit]

Season 10 ()[edit]

Season 11 ()[edit]

Season 12 ()[edit]

Season 13 (–19)[edit]

Season 14 ()[edit]


Aliens in spanish ancient

Aliens Love Gold As Much as Humans Do

July 2, &#; -- Today is World UFO Day. People in different countries are coming together to share stories about alien encounters. Many will stay up late monitoring the sky for UFOs, but alien experts will remind people that the best evidence could be found hidden in ancient ruins on Earth, and at the bottom of old religious sites like Guatavita in Colombia.

The gold rituals at the circular mountain lake Guatavita, located just north of Bogotá, inspired the legend of El Dorado and other mysterious cities of gold. Ever since Spanish conquistadores in the 16th century witnessed an indigenous chieftain covered in gold dust dump precious metals into the lake, legends of vast wealth captivated future generations of fortune seekers. And while the lake continues to attract gold hunters who are keen on dredging Guatavita for sunken treasure, many people would be surprised by researchers who believe that the bottom of the lake also contains evidence of extraterrestrial life that came to Earth in search of gold.

Some have suggested that aliens used gold in their atmosphere to reflect the sun's rays and preserve their planet. But for those of you who are skeptical, and need scientific evidence to show why aliens would be so interested in gold, Derrick Pitts, Chief Astronomer and Planetarium Director for the Franklin Institute in Philadelphia, offers an explanation that describes gold as an important element for space exploration and astronomy. "Gold is an inert material, it doesn't react with anything," he said in an interview for the popular History channel television series Ancient Aliens. "It is a wonderful conductor of electricity… and… a perfect reflector of infrared energy. You can use gold blankets to protect spacecraft against the intense heat of a star or any sort of heat source."

Others believe that aliens used ancient civilizations to mine for gold, and argue that if we examine old legends and temples we could identify patterns that prove the existence of extraterrestrial life. Following this argument, indigenous temples built over 1, years ago to commemorate the visitation of a god, and strange tribal chants and rituals that were designed to communicate with other worldly beings, could be interpreted as cultural evidence of alien contact.

One of the most famous alien visitations is supposed to have occurred in Cusco, Peru. The sun temple Qurikancha had a giant golden disc that some alien experts believe was a symbol of a gold-plated UFO that had landed in front of the Inca emperor Atahualpa, legendary for having direct contact with the "sky gods."

Other theorists go even further, claiming that the Great Pyramid of Giza is an ancient reactor that aliens used to make gold. But independently from whether you believe in aliens, ancient temples and mausoleums are like giant repositories for old sciences that have been lost. And these sciences can remind us that our ancestors were not only concerned with the environment and the planet, but also believed that survival was dependant on having a deep understanding of our solar system.

People have long looked up to the stars to figure out where they are, and where they will be going. So it is only natural that gold become a metaphor for our connection with the universe. Gold can remind us of the origin of our solar system. It is thought to have been made after the explosion of a star. The supernova scattered metallic dust that was later condensed into our solar system and the Earth. But sadly, gold can also remind us of our end. That we are at the early stages of an epic disaster where the sun could blow up or die out.

Aliens can similarly inspire us to tell stories about our future. They remind us that it is instinctual to dream about space. And they can become metaphors for the way that evolution pushes us to explore new places, and build new homes beyond Earth so that we can someday escape from extinction.

This is a popular theme in the new Superman movie Man of Steel, where Kryptonians have run out of resources and will need to flee from their planet to ensure survival. In this sense, the film presents aliens as an evolutionary force. However, this force can sometimes be polarized against humanity. General Zod, for instance, is a very cold and inhuman character, who determined to guarantee the survival of his alien race will sacrifice humanity without compassion.

Whether real or imagined, aliens challenge our beliefs and notions of what it means to be human. And while we are sometimes afraid of things that we don't understand, World UFO Day gives people an ideal to strive for, celebrate that we too are potential aliens. Someday we will venture beyond the limits of our solar system. And like Superman, the most famous alien in our culture, we hope to become symbols of our science and technology, and our compassion and morality.

ANCIENT ALIENS Season 13 Clip - Sheffield Abduction (2020) History Channel

Asked Chernomor - Fun - What. - And then, if the threat comes from Karla, then it turns out that with Zabava you will not face anything along the. Way. - And if not from Karla.

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Drove up and my colleagues left. Then Natasha came up. - Why didn't you go with them. She asked. - The guy will come for me now.

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