Olivier Rousteing is sitting in a makeshift greenroom, talking with a group of business founders trying to reimagine the future of France. “There have been so many projects on my waiting list, and now finally we can make them happen,” he says, eyes wide. He is dressed, as usual, in black: black coat, black trousers, and, on his feet, clogs like black lapdogs, covered with faux fur. His fingers are shielded in long golden rings, giving his hands a mechanical fascination: half bling, half armor. When an attendant leads him to the stage wing, he leans against the wall and scrolls through Instagram. Rousteing became creative director of Balmain in 2011, at 25, and since then has consolidated the house’s power by courting the gaze of an extremely online demographic. He’s the chief force driving high Paris fashion from its old cloture, and—with some controversy—through a teeming, buzzy, digitally shaped new world.
“We might stay a bit afterward,” he murmurs to a colleague: He anticipates a large swarm of attention.
The conference where Rousteing is speaking now is not about fashion; it is called Fighters Day, and it’s a gathering of French entrepreneurs in the American mold: techies, start-up doyens, and “self-made” men and women of the kind who, until recently, scarcely existed in the French imagination. Onstage, in French, Rousteing speaks about his decision to set off on his own at 18—the first of several daring choices that shaped his path. “I left my fashion school after six months,” he says. “I fought because I had no school or background behind me, just determination and desire. I came to Paris, and it’s now 10 years since I’ve been creative director at Balmain.” He adds, softly, “It’s always a battle against yourself.”
The day’s unofficial motif is battling the odds outside the self, which has been a theme of Rousteing’s public life. A Black man reared in Bordeaux by two middle-class white parents, he is the highest-ranking person of color at the old Parisian houses, and he sits among two other business figures on the panel, also chosen for unusual paths: There’s Aminata Diouf, a former nanny who created the placement and training service Gribouilli, and Anthony Bourbon, a formerly homeless young man who started the meal-replacement shakes, bars, and powders company Feed. The panel is in Station F, a former freight center converted into a sleek start-up campus off Paris’s techie Quai d’Austerlitz. The audience is young, diverse, and multitalented, but Rousteing brings something distinct: an understanding of the way taste, creativity, and business intersect.
“For me it’s been very important to use clothes to talk about subjects such as diversity and ‘pop’—pop culture, population,” he says. “When I started my Instagram in 2013, I had a meeting with my president, who asked, ‘What are you doing? Luxury on Instagram is impossible. It’s cheap.’ ”
Since Rousteing’s wild ascent began, he has understood himself as an avatar of new paths: long hours, broken barriers, direct access, success beyond the old sclerotic elite channels. But recently, he’ll tell me later, he has wondered whether something has been lost in the gloss and glamour of ambition he has cultivated, and he’s started breaking barriers of a more personal kind.
“You have to embrace your fury,” he tells the crowd now. “But you also have to surround yourself with people who take care of you.” The keystone of this new effort, for Rousteing, has been the documentary Wonder Boy, by the filmmaker Anissa Bonnefont, which focuses on Rousteing’s fraught, heartbreaking efforts to learn the story of his birth parents. When it came out on Netflix in June, it was avidly watched in France, a success that local observers found unsurprising.
“Olivier is one of the most followed fashion designers in France, if not the most followed,” Pierre A. M’Pelé, himself a leader among the generation of French fashion journalists to reach prominence through online followings, recently said. “He understood very early on that social media and the digital sphere were inherent to the future of fashion—that it wasn’t just about shopping online but communicating directly with your audience. The reality is that people are hungry for fashion content, but also for more personal content: They want to know who is behind the brand, and about people’s lives. I blame this on the boom in reality TV over the past decade.” He paused. “But that’s what Olivier understood and has committed himself to.”
Almost from the start, Rousteing had anti-elite ambitions: Reach beyond the domain of the fashion industry, he thinks, and you can summon pop-scale audiences
When Balmain—the only Parisian couture house to be endorsed by Gertrude Stein—opened in 1945, it seemed the incarnation of France’s smart, chic, internationalized postwar glamour. Pierre Balmain dressed Sophia Loren, Josephine Baker, Lady Astor, and the queen of Thailand. He combined trim tailoring with gorgeous flows of cloth to create strikingly proportioned profiles—eye-catching but modest, refined but unfussy—that came to be associated with the style called Jolie Madame and set a consumer standard for high fashion. After he died, in 1982, the house moved through the visions of other designers, changing all the while. There was Oscar de la Renta, who presided starting in 1992 and carried Balmain’s classicism into the new millennium. There was the upscale reimagination of glam rock by Christophe Decarnin, under whom Rousteing joined the house, in 2009.
When Rousteing ascended two years later, during a reshuffle following Decarnin’s sudden departure, he combined mass-market pragmatism (most of Rousteing’s collections include some pieces with a body-con, Saturday-night accessibility; he counts his 2015 collaboration with H&M among his proudest achievements) with a certain stridency of form and cut (he has been un-shy about strong patterns, angular cutouts, and, in one collection, a printed wolf-pack motif). “He represents the good in fashion—energy, passion, and fun,” says his fellow designer Kim Jones, who leads menswear at Dior and women’s at Fendi. Some say it’s easy to miss how deeply rooted in a distinctly French idea of craft Rousteing’s garments are. “People tend to think he’s, you know, a white girl from L.A., but there’s a lot more than that to it,” M’Pelé says. “There’s this idea that things can be incredibly well-made while remaining accessible visually—it’s almost an idea of the new French elegance.”
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Movement efficiency athletic training discipline
"Parcours" redirects here. For the term used in cycle racing, see Glossary of cycling § P.
Parkour (French: [paʁkuʁ]) is a training discipline where practitioners (called traceurs) aim to get from one point to another in a complex environment, without assisting equipment and in the fastest and most efficient way possible. With roots in military obstacle course training and martial arts, parkour includes running, climbing, swinging, vaulting, jumping, plyometrics, rolling, and quadrupedal movement—whatever is suitable for the situation.
Parkour is an activity that can be practiced alone or with others, and is usually carried out in urban spaces, though it can be done anywhere. It involves seeing one's environment in a new way, and envisioning the potential for navigating it by movement around, across, through, over and under its features.
Parkour as a type of movement was established by David Belle in France in 1988, however the practice of similar movements in communities around the world brings into question the relevance of such an attribution. The discipline was popularised in the late 1990s and 2000s through films, documentaries, video games, and advertisements.
The word parkour derives from parcours du combattant (obstacle course), the classic obstacle course method of military training proposed by Georges Hébert. Raymond Belle used the term "les parcours" to encompass all of his training including climbing, jumping, running, balancing, and the other methods he undertook in his personal athletic advancement. His son, David, further developed his father's methods and achieved success as a stuntman, and one day on a film set showed his 'Speed Air Man' video to Hubert Koundé. Koundé suggested he change the "c" of "parcours" to a "k" because it was stronger and more dynamic, and to remove the silent "s" for the same reason, forming "parkour".
A practitioner of parkour is called a traceur, with the feminine form being traceuse. They are nouns derived from the French verb tracer, which normally means "to trace", as in "tracing a path", in reference to drawing. The verb tracer used familiarly means: "to hurry up". The term traceur was originally the name of a parkour group headed by David Belle which included Sébastien Foucan and Stéphane Vigroux.
A jam refers to a meeting of traceurs, involving training lasting anywhere from hours to several days, often with people from different cities. The first parkour jam was organised in July 2002 by Romain Drouet, with a dozen people including Sébastien Foucan and Stéphane Vigroux.
In Western Europe, a forerunner of parkour was developed by French naval officer Georges Hébert, who before World War I promoted athletic skill based on the models of indigenous tribes he had met in Africa. He noted, "their bodies were splendid, flexible, nimble, skillful, enduring, and resistant but yet they had no other tutor in gymnastics but their lives in nature." His rescue efforts during the 1902 eruption of Mount Pelée on Saint-Pierre, Martinique reinforced his belief that athletic skill must be combined with courage and altruism. Hébert became a physical education tutor at the college of Reims in France. Hébert set up a "méthode naturelle" (natural method) session consisting of ten fundamental groups: walking, running, jumping, quadrupedal movement, climbing, balancing, throwing, lifting, self-defence, and swimming. These were intended to develop "the three main forces": energetic (willpower, courage, coolness, and firmness), moral (benevolence, assistance, honour, and honesty), and physical (muscles and breath). During World War I and World War II, teaching continued to expand, becoming the standard system of French military education and training. Inspired by Hébert, a Swiss architect developed a "parcours du combattant"—military obstacle course—the first of the courses that are now standard in military training and which led to the development of civilian fitness trails and confidence courses.
Raymond and David Belle
Born in 1939 in Vietnam, Raymond Belle was the son of a French physician and Vietnamese mother. During the First Indochina War, his father died and he was separated from his mother, after which he was sent to a military orphanage in Da Lat at the age of 7. He took it upon himself to train harder and longer than everyone else in order never to be a victim. At night, when everyone else was asleep, he would be outside running or climbing trees. He would use the military obstacle courses in secret, and also created courses of his own that tested his endurance, strength, and flexibility. Doing this enabled him not only to survive the hardships he experienced during his childhood, but also eventually to thrive. After the Battle of Dien Bien Phu in 1954, he returned to France and remained in military education until the age of 19, when he joined the Paris Fire Brigade, a French Army unit.
Raymond's son, David Belle, was born in 1973. He experimented with gymnastics and athletics but became increasingly disaffected with both school and the sports clubs. As he got older, he claims to have to read (as-yet-unconfirmed) newspaper clippings that told of his father's exploits and was increasingly curious about what had enabled his father to accomplish these feats. Through conversations with his father, he realised that what he really wanted was a means to develop skills that would be useful to him in life, rather than just training to kick a ball or perform moves in a padded, indoor environment.
Through conversations with his father, David learned about this way of training that his father called "parcours". He heard his father talk of the many repetitions he had done in order to find the best way of doing things. He learned that for his father, training was not a game but something vital which enabled him to survive and to protect the people he cared about. David realised that this was what he had been searching for, and so he began training in the same way. After a time, he found it far more important to him than schooling and he gave up his other commitments to focus all his time on his training.
Main article: Yamakasi
David initially trained on his own, and after moving to Lisses, found other young men (including his cousins) who had similar desires, and they began to train together. The group eventually included David Belle, Sébastien Foucan, Châu Belle Dinh, Williams Belle, Yann Hnautra, Laurent Piemontesi, Guylain N'Guba Boyeke, Malik Diouf, and Charles Perrière. The group began calling themselves the Yamakasi, from the Lingalaya makási, meaning strong in one's person, or "strong man, strong spirit" (see § Name and split below).
The group drew inspiration from Asian culture and Asian martial arts, notably the acrobatics of Jackie Chan such as qinggong displays in his Hong Kong action films, and the training philosophy of Bruce Lee, considering the latter to be the "unofficial president" of their group. The group also was influenced by the Japanese shōnen manga and anime series Dragon Ball, in which the heroes attained extraordinary abilities through hard work, as well as the martial arts films of Belgian actor Jean-Claude Van Damme.
The group put themselves through challenges that forced them to find the physical and mental strength to succeed. Examples included training without food or water, or sleeping on the floor without a blanket to learn to endure the cold. For example, no one in the group was permitted to be late for training, as it would hold back the whole group. If any member completed a challenge, everyone else had to do the same thing. During their training, no one was allowed to complain or be negative. Few excuses were allowed. For instance, if someone claimed that his shoes were too worn out in to make a jump, he had to do it anyway, even if it meant doing the jump barefoot. At the same time, everyone was required to have knowledge of their own limits.
Respecting one's health and physical well-being was one of the foundations of the group. If any member hurt himself during or after the execution of a movement, the movement was deemed a failure. A movement executed only once was not considered an achievement; only with repetition was the challenge complete. Every movement had to be repeated at least ten times in a row without the traceur having to push his limits or sustaining any injury. If any mistake was made by any traceur in the group everyone had to start all over again.
Humility was an important principle. No traceur was allowed to feel superior to someone else, for example, by executing a movement only to show off in front of someone who could not perform the movement. If any traceur in the group claimed that he had completed a difficult and dangerous challenge that should not be attempted unaided, he had to prove his claims by doing the challenge again. Anyone who lied violated the principle of humility.
To join the group, new members had to be recommended by an existing member and then pass tests to evaluate their motivation for joining. Despite the huge emphasis on the collective, each traceur had to progress and develop independently—"to create the means to be yourself"—and there was a complete trust within the group. Every traceur was to encourage the others and show confidence through their behaviour. If a member violated the principles, the group could meet without the offending person to discuss various punishments. Anyone deemed unsuitable could be temporarily or even permanently banned from the group in order to uphold its disciplines and values.
Name and split
In 1997, David Belle's brother Jean-François invited the group to perform for the public in a firefighter show in Paris. For the performance, the group named themselves Yamakasi, from the CongoleseLingalaya makási, meaning strong in one's person, or "strong man, strong spirit". Sébastien Foucan also invented a name for what they were doing: "l'art du déplacement" (French for "the art of movement"). The firefighter performance caused both positive and negative attention. Some members of the group were concerned how the public would view their discipline since the performance did not demonstrate all aspects of it, such as their hard training and their values and ethics. Jean-François also sent pictures and video of the group to a French TV programme, and the popularity of parkour began to increase. A series of television programmes in various countries subsequently featured video footage of the group, and they began to get more requests for performances. During this time, conflicting interests arose within the group. Sébastien Foucan wanted to teach more rather than to train more, and David Belle had the ambition to become an actor. David and Sébastien chose to leave the group, and used the name "parkour" to describe their activity (see § Etymology above). The seven remaining Yamakasi members continued to use the term l'art du déplacement (see § Derivative terminologies and disciplines below).
International parkour organizations include the World Freerunning and Parkour Federation, established in 2007, who have worked with MTV to produce parkour-related shows.
International Gymnastics Federation (FIG) added parkour as one of their disciplines in 2017, despite much opposition, including the establishment of Parkour Earth to represent various national organizations in opposition to the gymnastics organization. The FIG program includes Speed-Run (Sprint) and Freestyle events. The first event in the FIG Parkour World Cup was held on 6–8 April 2018. The first Parkour World Championships was scheduled to take place at Hiroshima on 3–5 April 2020, but was postponed as a result of the COVID-19 pandemic. Parkour is expected to debut at the 2022 World Games.
According to Williams Belle, the philosophies and theories behind parkour are an integral aspect of the art, one that many non-practitioners have never been exposed to. Belle says he trains people because he wants it "to be alive" and "for people to use it". Châu Belle explains it is a "type of freedom" or "kind of expression"; that parkour is "only a state of mind" rather than a set of actions, and that it is about overcoming and adapting to mental and emotional obstacles as well as physical barriers. Traceur Dylan Baker says, "Parkour also influences one's thought processes by enhancing self-confidence and critical thinking skills that allow one to overcome everyday physical and mental obstacles". A study by Neuropsychiatrie de l'Enfance et de l'Adolescence (Neuropsychiatry of Childhood and Adolescence) in France found traceurs seek more excitement and leadership situations than gymnasts do.
Academic research on parkour has tended to describe how parkour provides a novel way of interacting with the urban environment that challenges the use and meaning of urban space, metropolitan life, and embodiment.
A newer convention of parkour philosophy has been the idea of "human reclamation". Andy Tran of Urban Evolution clarifies it as "a means of reclaiming what it means to be a human being. It teaches us to move using the natural methods that we should have learned from infancy. It teaches us to touch the world and interact with it, instead of being sheltered by it." Another traceur[who?] writes, "It is as much as a part of truly learning the physical art as well as being able to master the movements; it gives you the ability to overcome your fears and pains and reapply this to life, as you must be able to control your mind in order to master the art of parkour."
A campaign was started on 1 May 2007 by the Parkour.NET portal to preserve parkour's philosophy against sports competition and rivalry. In the words of Erwan Le Corre, "Competition pushes people to fight against others for the satisfaction of a crowd and/or the benefits of a few business people by changing its mindset. Parkour is unique and cannot be a competitive sport unless it ignores its altruistic core of self-development. If parkour becomes a sport, it will be hard to seriously teach and spread parkour as a non-competitive activity. And a new sport will be spread that may be called parkour, but that won't hold its philosophical essence anymore." Red Bull's sponsored athlete for parkour, Ryan Doyle, has said, "Sometimes people ask, 'Who is the best at parkour?' and it is because they don't understand what Parkour is; 'Who is the best?' is what you would say about a sport, and parkour is not a sport—it is an art, it's a discipline. That's like saying, 'What's the best song in the world?'" This seems to be the consensus among many professional traceurs who view parkour as a lifestyle more than as a set of tricks, as has been popularised by YouTube and most media exposure.
There are competitions that use parkour as the main influence for formatting and judging criteria. Sport Parkour League's "North America Parkour Championships" hosts a series of local and regional qualifier events which culminate in a final event in Vancouver, B.C. Red Bull's Art of Motion event is the longest running and highest profile professional freerunning competition.
In his 2009 book Parkour, David Belle stressed that the most important aspect of parkour is not the physical movements, but rather the practitioner's mentality and understanding of its principles. "When young trainees come to see me and give me videos telling me to check out what they are doing, I just take the tape and throw it away. What I'm interested in is what the guy's got in his head, if he has self-confidence, if he masters the technique, if he has understood the principles of parkour. I just can't deal with guys who do Parkour because they saw videos on the Internet and thought it was kinda cool and want to do even better." Further, he states the importance of traceurs being aware of their abilities and limitations, and developing in their own way. "When a young person asks me, 'Can you show me how to do this?' I simply answer, ‘No, I am going to show you how I do it. Then, you'll have to learn with your own technique, your own way of moving, your style, your abilities and your limitations. You are going to learn to be yourself, not someone else along the way.’"
The philosophy of parkour has been compared to that of martial arts. In an interview with The New Yorker, David Belle acknowledges the influence, "There's a quote by Bruce Lee that's my motto: 'There are no limits. There are plateaus, but you must not stay there, you must go beyond them. A man must constantly exceed his level.' If you're not better than you were the day before, then what are you doing—what's the point?" In an interview with the press, Belle explained that parkour is a training method for warriors. "So many people try to train easy—'Come do parkour! It's really cool!' But if tomorrow I made you do real training, you would end up crying. That's what you need to know: you are going to cry, you are going to bleed and you are going to sweat like never before." In his book, Belle also quotes his father Raymond, "If two roads open up before you, always take the most difficult one. Because you know you can travel the easy one."
Belle is an influential proponent of discipline and control in parkour, saying, "Precision is all about being measured," and going on to describe parkour as an art that requires huge amounts of repetition and practice to master. "With parkour, I often say, 'Once is never'. In other words, someone can manage a jump one time but it does not mean anything. It can be luck or chance. When you make a jump, you have to do it at least three times to be sure you can actually do it. It's an unavoidable rule. Do it the hard way and stop lying to yourself. When you come for training, you have to train. Even if it means doing the same jump fifty or a hundred times." To its founder, parkour is a method of self-refinement, used for learning to control and focus oneself.
Main article: Vault (urban movement)
While there is no official list of "moves" in parkour, the style in which practitioners move often sets them apart from others, and there are a number of named movements that are characteristic, for example:
- "Parkour roll": Rolling to absorb impacts from larger drops, moving diagonally over a shoulder to convert momentum from vertical to horizontal.
- "Precision jump": Jumping and landing accurately with the feet on small or narrow obstacles.
- "Arm jump": Jumping and landing feet-first on a vertical surface, catching the horizontal top with the hands.
- "Wall run": Running toward a high wall and then jumping and pushing off the wall with a foot to reach the top of the wall.
- "Climb up": Moving from a position hanging from a wall-top or ledge, to standing on the top or vaulting over to the other side.
Parkour is practiced without equipment of any kind, though items such as bars, walls, and boxes are used. Practitioners normally train wearing light, non-restrictive casual clothing. Traceurs who wear gloves are rare—bare hands are considered better for grip and tactile feedback. Light running shoes with good grip and flexibility are encouraged because they allow for more natural and fluid movements. Practitioners often use minimalist shoes, sometimes as a progression to bare feet, for better sensitivity and balance, while others prefer more cushioning for better absorption of impacts from large jumps. Barefoot training is done by some for movement competency without gear—David Belle noted that "bare feet are the best shoes." Various sneaker manufacturers have developed shoes specifically for parkour and freerunning. Many other companies around the world have started offering clothing targeted at parkour.
Parkour is not widely practiced in dedicated public facilities. Although efforts are being made to create places for it, many traceurs do not like the idea, as it is contradictory to parkour's values of adaptation, creativity, and freedom. Traceurs practice parkour in both rural and urban areas such as gyms, parks, playgrounds, offices, and abandoned structures. Concerns have been raised regarding trespassing, damage of property, and use of inappropriate places such as cemeteries. Many parkour organizations around the globe support the Leave No Trace initiative, an urban version of the outdoor conservation ethic created by the Seattle nonprofitParkour Visions in 2008, promoting safety, respect for the spaces used and their other users, and sometimes includes picking up rubbish to leave areas in better condition than they were found.
Injuries and deaths
Concerns have been raised by law enforcement and fire and rescue teams about the risks inherent in jumping off high buildings. They argue that practitioners are needlessly risking damage to both themselves and rooftops by practicing at height, with police forces calling for practitioners to stay off the rooftops. Some practitioners of parkour agree that such behaviour should be discouraged.
Because parkour philosophy is about learning to control oneself in interaction with the environment, many parkour experts consider serious injury evidence of the traceur’s failure to follow the precepts of the discipline, specifically, knowing one’s limitations. Daniel Ilabaca, co-founder of the World Parkour and Freerunning Federation, said, "Thinking you're going to fail at something gives you a higher risk of doing just that. Committing to something you're thinking or knowing you will land gives you a higher chance of landing or completing the task." On biomechanical grounds, studies found parkour landing techniques result in lower landing forces in comparison with traditional sport techniques. In a survey of parkour-related emergency department visits in the United States between 2009 and 2015, most injuries were reportedly caused by landing or from striking objects.
American traceur Mark Toorock said injuries are rare "because participants rely not on what they can't control—wheels or the icy surfaces of snowboarding and skiing—but their own hands and feet," but Lanier Johnson, executive director of the American Sports Medicine Institute, noted that many of the injuries are not reported.
Initially featured in films of French director/producer Luc Besson, parkour was first introduced to the British public by the BBC One TV channel trailer Rush Hour in April 2002. It featured David Belle leaping across London's rooftops from his office to home, in an attempt to catch his favourite BBC programme, and captured the imagination of many viewers, especially when they learned no special effects or wires were used. This advertisement, along with others for Coca-Cola, Nike, and Toyota, had a large-scale impact on public awareness of parkour.
The creation of parkour show-reels and documentaries has been crucial to the spread of parkour, and is common in the parkour community.Jump London is a 2003 documentary explaining some of the background of parkour, culminating with Sébastien Foucan, Johann Vigroux, and Jérôme Ben Aoues demonstrating their parkour skills. Jump London changed the presence of parkour in the UK almost overnight and is widely credited for inspiring a new generation of traceurs. It was followed by Jump Britain in 2005. Both Jump films were shown in more than 80 countries, thereby introducing the discipline and its philosophy to an unprecedented global audience. Both films have been cited by numerous practitioners as their motivation for taking up the discipline.
The Australian version of 60 Minutes broadcast a segment about parkour on 16 September 2007, featuring Foucan and Stephane Vigroux.
Parkour is not defined by a set of rules or guidelines, a feature which has proven particularly attractive to young people, allowing them to explore and engage in the activity on their own terms. It can be easily accepted by all cultures as a means of personal expression and recreation. For example, in 2010 The New York Times published a short video featuring three young men from the Gaza Strip who were active members of the parkour community. In 2014, the BBC covered youth parkour participation in Jammu and Kashmir. Zahid Shah founded the Kashmir Freerunning and Parkour Federation, finding hope in the non-violent discipline of parkour.
Parkour has become a popular element in action sequences, with film directors hiring parkour practitioners as stunt performers. The first director to do so was Luc Besson, for the film Taxi 2 in 1998, followed by Yamakasi in 2001 featuring members of the original Yamakasi group, and its sequel Les fils du vent in 2004. Also in 2004, Besson wrote District 13, another feature film involving advanced parkour chase sequences, starring David Belle and Cyril Raffaelli, followed by the sequel District 13: Ultimatum in 2009 and remade in English as Brick Mansions in 2014.
In 2006 the film Casino Royale featured Sébastien Foucan in a chase taking place early in the movie, sparking renewed media interest in parkour. Along with The Bourne Ultimatum (2007), Casino Royale is credited with starting a new wave of Parkour-inspired stunts in Western film and television. Parkour was prominent in Live Free or Die Hard (2007), again with stuntman/actor Cyril Raffaelli, and Prince of Persia: The Sands of Time (2010), choreographed by David Belle. Several films besides Yamakasi are about thieves who use parkour, such as Breaking and Entering (2006),Run (2013), and Tracers (2015). The 2011 film Freerunner is about eight freerunners racing through a city for survival. The 2019 Netflix film 6 Underground featured several parkour scenes choreographed and performed by team Storror. Parkour also featured in Dhoom 3 (2013),Bang Bang! (2014) and Aadhi (2018).
Parkour is also featured on TV. MTV's show Ultimate Parkour Challenge premiered as a one-hour special in October 2009 starring the athletes of the World Freerunning & Parkour Federation. This was followed in May 2010 with a six-episode series of the same name. The athletes were Daniel Ilabaca, Tim Shieff, Ryan Doyle, Michael Turner, Oleg Vorslav, Ben Jenkin, Daniel Arroyo, Pip Andersen and King David. The programme format was a two-part weekly competition in different Southern California locations.
WWE wrestler John Hennigan is a long-time practitioner of parkour and often incorporates it into his wrestling style, with the WWE giving him the nickname "The Prince of Parkour". Actor Stephen Amell learned parkour at Tempest Academy in preparation for his role as Oliver Queen in the television series Arrow, and co-star Caity Lotz is also a practitioner.
Modern video games frequently include aspects of parkour as major game-play elements. The Assassin's Creed series makes heavy use of parkour movement (called freerunning in the game). The Mirror's Edge games are heavily inspired by parkour, consisting entirely of efficiently moving around buildings, rooftops, and other obstacles.Brink introduced a parkour mechanic into a realistic first person shooter.Prince of Persia and Dying Light include a central parkour mechanic, while Crackdown and Crackdown 2 include an emphasis on gripping and vaulting from ledges and protruding objects.Tony Hawk's American Wasteland allows the character to use several freerunning techniques while not on the skateboard.Tron Evolution's basic movements and combat were based on parkour and capoeira.
Although parkour itself grew out of military obstacle-course training, it has become a separate discipline. After the attention that parkour received following the 2006 film Casino Royale, military forces around the world began looking for ways to incorporate elements from parkour into military training. A physical trainer with the Royal Marines trained with parkour practitioners with hopes of introducing some of their techniques to his own students. Colorado Parkour began a project to introduce elements from parkour into the U.S. military and one San Diego staff sergeant trained US Marines in parkour.
Scientific research and applications
Studies have found that in exercises such as the standing long jump, depth jump, and vertical jump, parkour athletes outperform physical educators, gymnasts, and power athletes. Parkour training is especially linked with the development of eccentric load resistance and jumping ability.
Studies and experiments have integrated parkour kinaesthetics into robotics.
Derivative terminologies and disciplines
In September 2003, Mike Christie's documentary Jump London, starring Sébastien Foucan, was released. In the documentary, the term "freerunning" was used as an attempt to translate "parkour", in order to make it more appealing to the English-speaking audience. Foucan decided to keep using the term "freerunning" to describe his discipline, to distinguish it from David Belle's methods.
The remaining seven Yamakasi members continued to use the term "l'art du déplacement", also not wanting to associate it too closely with parkour. Similar to Sébastien's freerunning, l'art du déplacement is less about the hard discipline of the original Yamakasi group; rather, it takes a participatory approach focused on making the teaching more accessible. David Belle kept the term "parkour", saying the group contributed to the development of it, but that his father was the source of his motivation and had verbally communicated this method only to him.
Both parkour and freerunning encompass the ideas of overcoming obstacles and self-expression; in freerunning, the greater emphasis is on self-expression. Although the differences between the disciplines are often hard to discern, practitioners tend to aspire to parkour and describe themselves as traceurs rather than as freerunners.
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Shoe Doctor sees success in Detroit cleaning 85,000 shoes a month
When Highland Park native Kenneth Taylor was a child, he wanted to be like his great-grandfather who ran businesses that provided jobs for his whole family.
Taylor's wish came true, but not in the way you'd expect. There was a job loss and homelessness on his journey. But now most of his employees are his family members.
His mom is the supervisor, his brother is the manager, his brother's child's mother is the assistant, his cousin runs human resources and his aunt is the business manager.
The family business, The Shoe Doctor, is all about shoes, fixing them and cleaning them — thecompany restores and cleans 85,000 shoes a month in Detroit — and the business's reputation has reached Detroit celebrities like Kash Doll, Icewear Vezzo and other local artists.
“Growing up, I was a sneakerhead. I was one of those kids that stood in the line for the J’s every Saturday," Taylor said about the popular Air Jordan tennis shoe from Nike.
“I always wanted to help my family out the same way that my great-granddaddy did,” Taylor said. “That’s what he did — supplied jobs for the whole family. Then when he passed away, that kind of died out. But then about 10, 15 years until now, my whole family is coming back together because of (The) Shoe Doctor. Everybody’s got a role. I love it.”
The company has grown from its start in 2013 in Detroit to opening a location in Atlanta in 2021. And there are plans for a third location in California.
Whether it's a pair of everyday Nike sneakers or luxury Balenciaga pumps, The Shoe Doctor can clean them at the flagship store at 18701 Livernois.
One day in September, the backroom was filled with everything from designer shoes like Air Jordans and Christian Louboutins to everyday shoes owned by Detroiters.
Hundreds of clear bags with designer shoes lined a conveyor belt. Glass cases in the lobby held Air Jordans and Yeezys.
At Fairlane Town Center mall in Dearborn, there is a locker where you can drop off shoes for care. You'll be alerted once they have been cleaned, and you'll be able to pick them up from the locker.And through the third-party delivery service Beaute Mobile 313, there is an option for pickup and delivery.
The Atlanta location advertises names like Louis Vuitton, Balenciaga, Ferragamo, Timberlands, Dior, Gucci, Bally and more, all of which the business cleans.
A sneaker deep clean costs $32 and includes a cleaning of the bottom of the shoe, the top, around the ankle and the laces.
Boots cost $55 for cleaning and designer shoes cost $50 for a cleanse. Each cleaning costs an additional $10 at the Atlanta location. This includes services like wrinkle removal, scruff restoration, re-dye, oxidation, stain removal and deep cleaning.
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More:2 programs launched to support Detroit's Black-owned businesses
Apparel and shoes also can be purchased at the Livernois location. Taylor works with a shoe consignment company and resells sneakers in the storefront. He also sells goods from Detroit-based apparel companies in the Atlanta location.
Getting started wasn’t easy
The entrepreneurship and collaborative spirit runs through Taylor’s family, all of whom are from Highland Park. His great-grandfather owned businesses and homes in the area while serving as the city’s treasurer; his father owns a mechanic shop and his mother owns two rental homes.
“When I got to having a job, it was like, this is not what I saw growing up, so I started thinking of ways to make money outside of going to work,” said Taylor.
He first stood in line at Foot Lockerto get a fresh pair of Air Jordans when he was in third grade. As he was growing up, he noticed that there wasn’t a designated business that would clean sneakers in Detroit.
He began cleaning shoes when he was a construction worker. When he wrapped up his day at a construction site, he cleaned shoes at night, returning them to their owner after work the next day.
When his first child was about to be born, he left work early when his girlfriend was rushed to the hospital in labor. Taylor was fired for leaving early, he said. Without work, they eventually lost their home and had to sleep in a van.
“Those times (are) what make or break you,” Taylor said. “Those times, I look back at it and it’s like, I would’ve done it a million times just to be where I’m at right now.”
In the process of trying to promote his shoe business, he met Byron Brooks, 26, owner of Detroit-based Hood, Black & Educated Consulting Group. The two shared stories, bonding over the fact that they’d both experienced homelessness.
Taylor is now working with Brooks on plans to expand to other states, to collaborate with local brands and to connect with local student-athletes to clean their shoes.
“Some of our experiences from homelessness and then those family connections — I felt it was like divine intervention in us connecting,” Brooks said. “This is someone I could see myself growing with, you know, not just my own consulting firm and his (Shoe) Doctor, but just as individuals.”
Setting up in Atlanta
With his family running the Detroit store, Taylor packed his bags and moved to Atlanta in early 2021. The ups and downs of getting started in a new state in a pandemic made him feel like he was “waking up in a movie.” He builds his brand in an area by cleaning shoes in a city ahead of time until interest grows enough to open a store.
“I was so nervous ... going to a whole new state,” Taylor said. “So I came down here for a couple months, off and on, to clean people’s shoes and people were really gravitating towards it. People were calling to see when I was coming back. So I'm like, it'll work. But you know, in the back of your head, I'm making a big move, I got to get a whole new place to stay here. But once I opened the doors, I was just like, this is the best decision I ever made.”
The plans are in motion to open the third location in California next July.
“We’re trying to open up in a new state every July Fourth weekend,” Taylor said. “I actually got people cleaning shoes in California right now. Not on a big level, but my aunt, she collects them at her crib if anybody wants a cleaning in California, and then they clean them there, then they go back to the customer.”
Contact staff writer Chanel Stitt on Twitter: @ByChanelStitt. Become a subscriber or gift a subscription.
View CommentsSours: https://www.freep.com/story/money/business/michigan/2021/10/07/shoe-doctor-detroit-cleaning-service/5901669001/
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